Song Ming circle chair art style
Since Christie's in New York [microblogging] held its first contemporary designer furniture auction in September 2008 and Sotheby's [microblogging] held an independent contemporary furniture fair at the Fritz Art Fair in London, the world The curtain of the auction of contemporary design furniture has been quietly opened. With the revaluation and strong rise of the original design furniture in the world, the domestic auction trend has been in line with the original design home work since 2012. In 2012, Song Weijian designed it. “Song Ming Circle Chair†was successfully auctioned in Beijing Poly “Internationally Recognized Designers of Modern and Contemporary Chinese Art†and sold for 67,000 yuan.
This Songming circle chair is made of white rosewood, no paint treatment, rattan chair. The basic structure of the Ming-style circle chair is preserved in the shape, but the back of the chair is much lower than the traditional Ming-style circle chair. The seat ring and the armrest are also adjusted. The overall shape is a simple curved shape, leaning against the back of the chair. Naturally placed on the seat ring. The backrest is made of “one materialâ€, which is slightly convex and curved, and the lines are natural and smooth, but it has more intensity and charm. Every angle has details, no extra, delicate structure, concise and elegant, more in line with modern people's living habits.
At the beginning, Song Weijian performed in a modern way from the craft and form. However, it was found that the craftsmanship and scale of Chinese traditional furniture were very perfect, and it was difficult for modern people to make major changes on the basis of retaining the original aesthetics. To this end, he repeated seven or eight experiments before and after, there are claims, there are reservations, the number of components is one-third less than the Ming-style circle chair, thus achieving the overall aesthetic and practical. This Song Ming circle chair is mainly innovated in three places. The first is a height adjustment. The Ming-style circle chair is 10 cm higher than the modern seat. It must be seated on the foot. The upper body should be straight and straight, and the feet should be placed on the foot or footstool. This is obviously not suitable for modern people, so it is reduced. The height. The second is the change of the backrest, which adjusts the backrest to a micro-convex shape, which makes it ergonomic. When people lean back, they can gently support the back and increase comfort. The third is the adjustment of the seat ring and the armrest. The whole is a simple curved shape, which changes the regret that the traditional open chair can't sit still. Through these innovative measures, in order to achieve a distinct decorative effect, the relatively free artistic realm and elegant artistic taste are reflected.
"Zhou Li·Kao Gong Ji" has a cloud. "The sky sometimes has a gas, the material is beautiful, and the work is skillful. Together with the four, then it can be good." In Song Weijian's view, the chair and stool began in the Song Dynasty. It shows a simple, bright and simple artistic style. The Ming-style circle chair has the literati temperament, beautiful shape, exquisite selection and fine production, and achieves the perfect unity of practical value, aesthetic value and artistic value. The "Song Ming Circle Chair" is intended to enable the world to truly understand the historical significance and value of the circle chair. In production, he attaches great importance to the emotional interaction between people and artifacts, highlighting China's simple and simple life aesthetics, in order to inherit Chinese traditional culture. All these kinds of, all reveal a profound oriental humanistic care and radiant aesthetic thoughts.
The "natural way" of furniture design
Laozi’s Tao Te Ching has a flaw: “Human law, earth law, heaven and earth, and Taoism are natural.†This thought has had a profound influence on Song Weijian. The works he created, not made unduly, conveyed the Chinese cosmology of "Heaven and Man" to the world in the impetuous contemporary.
The so-called "Heaven and Man", that is, "the way of nature." Song Weijian put forward four basic ideas and created works with a simple system concept. First, there is a sense of returning to traditional culture and paying tribute to it. First of all, consider the dignity and dignity of the Confucian ethics, and then deepen the aesthetic requirements of the traditional shape, inherit the simple and elegant style of the Ming style seat; second, inherit the essence of the oriental culture, that is, the spirit of Confucianism, Buddhism and Taoism, pay attention to "this, The third is to follow the laws of nature and objectivity, to respect nature, to cherish all things, and to unite nature and spirit. Under normal circumstances, Song Weijian did not deliberately choose valuable wood, and adopted no paint treatment, so that the furniture itself slowly formed a "pachet" to improve the artistry and appreciation of the furniture; Fourth, the symbolic representation across traditional culture, in line with contemporary aesthetics Interesting, and blossoming flowers on the "traditional" old tree, making "good-looking, medium-use" things, showing the artistic effect of elegance.
From the initial work of interior space design to the design of new Chinese furniture, Song Weijian has been paying attention to the future development of Chinese furniture for many years. In his view, Chinese traditional culture is not too much, but too little; it is not too deep, but too fleshy. As a continuation of traditional Chinese furniture, new Chinese furniture not only has to become a work of art, but also a practical item. What the design and furniture industries need to do is to explore the essence of Chinese traditional culture and extend a simple and elegant "new literati" lifestyle, highlighting the inner spirit of the Chinese.
"Furniture design should consider the living environment and way of the contemporary people, instead of simply imitating traditional furniture, can't wait to get the elements that can be thought of into a chair, or always look for a form, and then give it more and more artistic, but that Art has not reached the height of this. In fact, true originality should be innovation from the inside out. "Sun Tzu's Art of War" has a saying that 'knowing oneself and knowing each other, and fighting for it. To break through this bottleneck, we must be in the traditional Go down in the veins." Song Weijian added.
The objects that are in harmony with nature can cultivate the body and mind, and Song Weijian sets his own ideals.
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